This has become an essential tool for us to maintain our sanity in bigger patches. The auto node layout feature that we introduced in beta in the previous version is now improved further and out of beta. This also works on the folding arrow for slices in the Slice Transform effect. Hold down Shift on your keyboard and then click on the fold arrow of an effect and it will fold (or unfold) all effects below it. Making small adjustments to any parameter is now much quicker because every parameter has – + buttons next to the slider. This is nice for creating more complex Wire slice effects like applying different effects to groups of slices. You can now create multiple slice inputs for your Wire patches. There is also a new Inverted Mask mode to actually show the pixels outside a slice and not inside. In the Slice Transform effect you can now also set a different scaling for each slice, so you’re not limited to Fit, Fill, Stretch or Mask for all your slices anymore. Map the slice opacity to your MIDI controller or even animate it to the beat. You can now fade the opacity of each slice individually in the Slice Transform effect. We have now moved the SMPTE inputs from the toolbar to a panel so you can make it a big as you like, just like the clip time panel. The SMPTE inputs on the toolbar in Arena were a bit small and not very readable from a distance. This is super handy for tightly scripted shows where everybody needs to get their timing right. You can make this panel very big and the text will scale along with it so that the entire FOH can read it from a distance . So we have created a dedicated panel for the clip time remaining where you can decide what playing clips to see the time of and you can show the current system time. One of the most requested features on the forum is to show the clip time remaining much bigger in the interface. Use your favourite MIDI controller or get physical with your iPhone via OSC.īelow are the minimum system requirements for running the Resolume Arena Processor:īelow is the list of changes made to the current version of Resolume Arena. Juggle pixels and composite beats, combine any video file with any audio file. Resolume plays both audio and video files. Everything runs on the video card so you get the fastest performance and best image quality possible. Apply effects to drastically change the look of your video. Think outside the screen and colour the lights too! With Arena 5 you can send out colours to DMX fixtures and the lights will be in sync with your visuals.Īdjust the scale and position of your clips to suit your needs. From projecting on DJ booths to cars, buildings and LED mappings on giant stages like Ultra. With Arena you can take on any size mapping project. It can even wrap around for a full 360 degree experience. With edge blending you can seamlessly project one beautiful widescreen image with two or more projectors. Resolume does all the hard work, so you can concentrate on the important part: being creative. Complex geometrical structures or whole buildings. As long as your computer can recognise it as an output, Resolume will let you use it. From a simple screen behind the DJ in your local club to main stage at Ultra. The only limit is your computer’s raw power and your imagination. Use as little or as many videos and effects as you like. Whatever your style is, Resolume offers you an easy interface to rock it. Mix and match your visuals quickly and easily and play Resolume like an instrument. Forwards, backwards, scratch and adjust tempo to the beat. You can play your videos when you want, how you want. Control it from a lighting desk and sync to the DJ via SMPTE timecode. Resolume Arena has everything Avenue has, plus advanced options for projection mapping and blending projectors.
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